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Fiction --- Thematology --- English language --- Psychological study of literature --- Aesthetics [Modern ] --- Esthetica (Moderne filosofie) --- Esthetica [Moderne ] --- Esthétique (Philosophie moderne) --- Esthétique moderne --- Femininity (Psychology) in literature --- Feminism and literature --- Feminisme en literatuur --- Féminisme et littérature --- Féminité (Psychologie) dans la littérature --- Modern aesthetics --- Moderne esthetica --- Rôle selon le sexe dans la littérature --- Seksuele rolpatronen in de literatuur --- Sex role in literature --- Sublieme [Het ] in de literatuur --- Sublime [Le ] dans la littérature --- Sublime [The ] in literature --- Vrouwelijkheid (Psychologie) in de literatuur --- 82:396 --- Aesthetics, Modern --- American fiction --- -Authorship --- -English fiction --- -Feminism and literature --- Sublime, The, in literature --- Women and literature --- -Women and literature --- -Femininity in literature --- Feminist fiction --- -Literature --- Literature --- English literature --- Authoring (Authorship) --- Writing (Authorship) --- American literature --- Literatuur en feminisme --- Women authors --- -History and criticism --- Sex differences --- History --- History and criticism --- Aesthetics, Modern. --- Authorship --- English fiction --- Femininity in literature. --- Feminism and literature. --- Sex role in literature. --- Sublime, The, in literature. --- History and criticism. --- Sex differences. --- -Literatuur en feminisme --- 82:396 Literatuur en feminisme --- -Modern aesthetics --- Femininity in literature --- Women authors&delete& --- United States --- Great Britain --- Literature and feminism
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The Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of "the feminine." Taking this as her starting point, Freeman suggests that the "other sublime" that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction, but allows us to envision other modes of writing the sublime. Freeman reconsiders Longinus, Burke, Kant, Weiskel, Hertz, and Derrida while also engaging a wide range of women's fiction, including novels by Chopin, Morrison, Rhys, Shelley, and Wharton. Addressing the coincident rise of the novel and concept of the sublime in eighteenth-century European culture, Freeman allies the articulation of sublime experience with questions of agency and passion in modern and contemporary women's fiction. Arguments that have seemed merely to explain the sublime also functioned to evaluate, domesticate, and ultimately exclude an otherness that is almost always gendered as feminine. Freeman explores the ways in which fiction by American and British women, mainly of the twentieth century, responds to and redefines what the tradition has called "the sublime.".
Aesthetics, Modern --- Aesthetics, Modern. --- American fiction --- Authorship --- English fiction --- Femininity in literature. --- Feminism and literature. --- Sex role in literature. --- Sublime, The, in literature. --- Women and literature --- NON-CLASSIFIABLE. --- Literature --- Femininity (Psychology) in literature --- Modern aesthetics --- Great Britain --- United States. --- Women authors --- History and criticism. --- Sex differences. --- History --- Great Britain. --- History. --- Literature and feminism --- 20th century western literature. --- agency. --- american womens fiction. --- british womens fiction. --- edith wharton. --- edmund burke. --- ethics of risk. --- femininity. --- feminist theory. --- gender studies. --- immanuel kant. --- jacques derrida. --- jean rhys. --- kate chopin. --- literary criticism. --- literary theory. --- mary wollstonecraft shelley. --- misogynistic constructions. --- other sublime. --- passion. --- quality of greatness. --- sexual difference. --- the feminine. --- the sublime. --- toni morrison. --- women and gender studies. --- womens fiction.
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Marina Abramovic; Joseph Beuys; Tacita Dean; Walter De Maria; AK Dolven; Olafur Eliasson; Jitka Hanzlova; Gary Hill; Susan Hiller; Shirazeh Houshiary; Anish Kapoor; Mike Kelley; Yves Klein; Richard Long; Gusav Metzger; Henri Michaux; Barnett Newman; Tony Oursler; Cornelia Parker; Gerhard Richter; Doris Salcedo; Lorna Simpson; Stelarc; Hiroshi Sugimoto; Fred Tomaselli; James Turell; Luc Tuymans; Bill Viola; Zhang Huan
political art --- philosophy of art --- anxiety --- Sublime, the --- hedendaagse kunst --- supernatural --- Art --- Contemporary [style of art] --- kunstfilosofie --- art [fine art] --- Nature --- technology --- Auto-destructive art --- Metzger, Gustav --- Maria, de, Walter --- Sugimoto, Hiroshi --- Parker, Cornelia --- Long, Richard --- Kelley, Mike --- Zhang Huan --- Simpson, Lorna --- Hiller, Susan --- Hanzlová, Jitka --- Viola, Bill --- Beuys, Joseph --- Kapoor, Anish --- Salcedo, Doris --- Tuymans, Luc --- Hill, Gary --- Klein, Yves --- Abramovic, Marina --- Michaux, Henri --- Houshiary, Shirazeh --- Dolven, Anne Katrine --- Eliasson, Olafur --- Oursler, Tony --- Stelarc --- Richter, Gerhard --- Tomaselli, Fred --- Newman, Barnett --- Dean, Tacita --- Turrell, James --- Sublime, The, in art --- Art, Modern --- Art and society --- Sublime, The, in art. --- History --- kunst --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- Abramovic Marina --- Beuys Joseph --- Dean Tacita --- De Maria Walter --- Dolven A K --- Eliasson Olafur --- Hanzlova Jitka --- Hill Gary --- Hiller Susan --- Houshiary Shirazeh --- Kapoor Anish --- Kelley Mike --- Klein Yves --- Long Richard --- Metzger Gustav --- Michaux Henri --- Newman Barnett --- Oursler Tony --- Parker Cornelia --- Richter Gerhard --- Salcedo Doris --- Simpson Lorna --- Sugimoto Hiroshi --- Tomaselli Fred --- Turrell James --- Tuymans Luc --- Viola Bill --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- 7.049 --- Kunsttheorie ; over het sublieme ; in de kunst van de 21ste eeuw --- Kunst en maatschappij ; 20ste en 21ste eeuw --- Iconografie ; verschillende onderwerpen --- Dolven, A.K. --- Contemporary art --- Modernism (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Kunst --- bezorgdheid --- het Verhevene --- bovennatuurlijk --- technologie --- Destructieve kunst --- natuur --- politieke kunst --- technology [general associated concept] --- Art, Modern - 20th century --- Art, Modern - 21st century --- art [discipline]
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